Hampi or Pampakshetra – The capital of “A Forgotten Empire (Vijaynagar)’’

Manasi Bandyopadhyay ( neé Chakrabarti)



When I was fourteen years old, I read Tungabhadrar teerè, (on the bank of Tungabhadra ) a historical novel based on Krishna Deva Raya (1509-1530) - the greatest king of the Vijaynagar empire - and his reign written by Sharadindu Bandyopadhyay. It touched my heart . ‘When the whole India is asleep, Vijaynagar with his torch of blazing fire over the Hemakoot hill, passes his  night like a sleepless guard ''– ''atandra prahari'' – as the Bengali words say.

Then Robert Sewell. 

In history honours, I read his book, A Forgotten Empire (Vijaynagar) . Along with the episode of rabbit which I shall mention here, there was another incident that our teacher told us in the class . It went like this : one day, Harihara was running after a deer who took him to a place and suddenly vanished. Harihara told this to this brother, Bukka. Both of them were anxious to know it's implication and Madhavacharyya explained that  Pampapati wants  their capital should be built in that place and thus Hampi came into existance as the capital of Vijaynagar.

With these myths or ‘incidents’ profoundly  interred in my mind, I became intently desirous to know Hampi.
Lotus Mahal

Legendary history and local tradition links Hampi back to Kishkindhya – to the age of the Ramayana.  Piyodosino  Asoka's Rock Edicts in Nittur and Udegolan  in Bellary  suggest that this region was part of the Maurya Empire during the 3rd century BC. A Brahmi inscription and a terracotta seal dating to the 2nd  century BC were also recovered from the excavation site.

The Vijayanagar kings had Virupaksha or Pampapati (Shiva) as their family god and their crest was the Varaha or Bora like  the Chalukyas . Their capital was probably at first situated at Anegundi on the northern bank of the Tungabhadra nearly opposite the present village of Hampi. As the empire grew it retained itself as a fortified suburb or outpost.

The chronicle of Ferino Nuniz, a Portuguese traveler who visited Vijayanagar during the reign of '' Krishna Deva Raya'',  gives a definite account of how the sovereigns of Vijayanagar first began to acquire the power which afterwards became so extensive. According to him, Muhammad Bin Tughlaq of Delhi, a little previous to the year 1336 , seized the town and fortress of Anegundi. Its chief was slain, with all the members of his family. After a futile attempt to govern this territory by means of a deputy, Muhammad raised to the dignity of chief of the state its late minister, a man whom Nuniz calls "Deorao," for "Deva Raya." or Harihara Deva I. The new chief founded the city of Vijayanagar on the south bank of the river opposite Anegundi and made his residence there, with the aid of the great religious teacher Madhava, wisely holding that to place the river between him and the ever-marauding Moslems was to establish himself and his people in a condition of greater security than before. He was succeeded by "one called Bucarao" (Bukka), who reigned thirty-seven years, and the next king was the latter's son, "Pureoyre Deo" (Harihara Deva II.).






Robert Sewell writes,  We know from other sources that  at least part of this story is correct. Harihara I. and Bukka were the first two kings and were brothers, while the third king, Harihara II., was certainly the son of Bukka. Ibn Batuta, who was in India from 1333 to 1342, states that even in his day a Muhammadan chief on the western coast was subject to Harihara I., whom he calls "Haraib" or "Harib," from "Hariyappa" another form of the king's name; while a hundred years later Abdur Razzak, envoy from Persia, tells us that the king of Vijayanagar was then lord of all Southern India, from sea to sea and from the Dakhan to Cape Comorin -- "from the frontier of Serendib (Ceylon) to the extremities of the country of Kalbergah ... His troops amount in number to eleven lak," Even so early as 1378 A.D., according to Firishtah, the Raya of Vijayanagar was "in power, wealth, and extent of country" greatly the superior of the Bahmani king of the Dakhan. The city of Vijayanagar is, as already stated, generally supposed to have been founded in the year 1336.
Musical Pillar 
During his first year of reign Harihara Deva was one day hunting amongst the mountains south of the river when a hare, instead of fleeing from his dogs, flew at them and bit them. The king, astonished at this marvel, was returning homewards lost in meditation, when he met on the river-bank the sage Madhavacharya, surnamed Vidyaranya or "Forest of Learning," -- advised Harihara Dev to found a city on the spot. "And so the king did, and on that very day began work on his houses, and he enclosed the city round about; and that done, he left Nagumdym (Anegundi), and soon filled the new city with people. And he gave it the name Vydiajuna, for so the hermit called himself who had bidden him   construct it." 

Elephant Stable

Thus, in or  about the year A.D. 1336 , sprung into existence the great city which afterwards became so magnificent and of such wide-spread fame. The chronicle continues by saying that the king constructed in the city of Vijayanagar a magnificent temple in honour of the sage. This temple Robert Sewell  takes to be the great temple near the river, still in use and known as the temple of Hampi or Hampe, having a small village clustering about it. On the rocks above it, close to a group of more modern Jain temples, is to be seen a small shrine built entirely, roof as well as walls, of stone. Everything about this little relic proves it to be of greater antiquity than any other structure in the whole circuit of the hills, but its exact age is doubtful. It looks like a building of the seventh century A.D. Mr. Rea, superintendent of the Madras Archaeological Survey, in an article published in the Madras Christian College Magazine for December 1886, points out that the fact of mortar having been used in its construction throws a doubt upon its being as old as its type of architecture would otherwise make it appear. It is quite possible, however, that the shrine may have been used by a succession of recluses, the last of whom was the great teacher Madhava.




The chronicle of Ferino Nuniz,  records that the king Krishna Deva  Raya requested the Governor of Goa to depute some Portuguese stone masons to come to Vijayanagar to superintendent the building of a large water reservoir that he desired to construct near Hospet, and that the Governor sent him Joao della Ponte "a great worker in stone."


Reservoir

Since Vijayanagar had been an imperial capital for over two centuries, it is no wonder that some of the finest specimens of the period are found, through in a ruinous state, in the heart of this city. While a considerable proportion of the buildings were due to the liberal patronage of Krishnadeva Raya, the structures in the city range from the time of the early rules like Harihara II to that of Sadasiva. The mountains consist mainly of religious, civil and military buildings.

The famous Stone Chariot


Vijayanagar architecture was of three types: Religious - dealing with their temples, Civil - concerning their non-religious structure, secular relating to Hindu-Islamic structure and Military - pertaining of their forts and fortified towns and cities. This style roughly covered the period from A.D. 1350 to 1600, the material used was hard granite from local area and  blue and black stone  imported from far away places.
Hazara Rama Temple

Religious Architecture  : In or near the village of Hampi some religious architectures are  of  pre-Vijayanagar times , most of them are of Vijayanagar period and style, and some are of  later Vijayanagar style.  

The so-called Jain temples on the Hemakootam or the Hemkoot hill, the two Devi shrine and numerous other structures in the Virupaksha are a few instances of the mountains assignable to the pre-Vijayanagar period. The earliest among these are probably some of the small temples to the north of Virupaksha temple; which may date back to about the ninth-tenth century A.D. at the earliest. Most of these monuments are of the Chalukyan style. It is interesting to note that all the structure of this type in and around the village of Hampi are Saiva shrines, while one further east of the southern bank of the Tungabhadra is a Vaishnava shrine, and those in the south eastern part of the city are all Jain shrines . No Buddhist shrine is there  since Buddhism had disappeared as a religious creed by the commencement of the 14th century in Southern India.


The Vijayanagar period  had made an outstanding contribution by the development of a style of temple-architecture. The plan of the typical Vijayanagar temple exhibits most of the characteristic features of the temples of the Tamil country. Invariably there is a separate shrine for the goddess slightly to the rear of the main sanctum of the God, as is found in temples in the Tamil area. Often the Shrine of the goddess in the Vaishnava temples at Vijayanagar contains another sub shrine. Most of the Vijayanagar temples at Hampi have a covered and pillared Pradakshina-pralara round the Garbhagriha and Antarala. The Garbhagriha and Antarala have a continuous  Adhishthana, which starts at a level lower than the covered Prakara. The exterior wall surfaces of the covered Prakara are decorated with Adhishathna  mouldings, wall pilasters. It is most profusely embellished part of a Vijayanagar temple, being rivaled only by the kalyana-mandapa which  is one of the highlights of the Vijayanagar style.
Hazara Rama Temple

The florid and exquisite Vijayanagar pillar contribute much to the peculiar charm or the style. The pillars are of the various types both ordinary and composite ,  the Vitthala temple at Hampi contains the most massive and the most striking specimens of  ‘’fantasies in stone’’.

Though not at first, later the craftsmen  adopted the Hoysala model for architecture. In 16th  century this model developed further into more ornate structures. The most famous of such shrines is probably the Vitthala Swami temple begun in A.D. 1513 by Krishna Dev Ray and considered "incomplete". The most striking feature of this structure is the immense hall with fifty six pillars, each twelve feet in height, each a complete sculpture group. The entire structure is housed in a rectangular compound or courtyards, 500 feet long and 310 feet wide, comprising two mandapas and a garbhagrha, 230 feet in length and 25 feet in height.
Narasimha 


Civil Architecture  : Most of the civil buildings at Hampi are constructed in the citadel area. Unfortunately there is hardly anything left except a few basements, since the brick and timber superstructure have all disappeared now. Compared to the original state of the city, the extent-ruined specimens are only a handful and represent in all likelihood the minor edifices such as the elephant stables. To this class of monuments may also be added some of the long and broad ancient bazaars of the city.

For civil architecture, stone was used for the base and  stone. wood, metal and brick. were employed in the superstructure. The pillars were of  timber or stone. Some lime pillars with a stone core were covered with brick and mortar and finished with plaster.

 Military Architecture : Nature has endowed the terrain of Vijayanagar with great strengths and strategic importance. Vijayanagar  used the  natural advantages present and linking up the perennial and unaffordable Tungabhadra, the gigantic boulders and steep and un climbable hills, by means of massive lines of fortification. The southernmost line of the fortification runs about three kilometers to the southwest of Hospet.

Of the extent fortification the most prominent and interesting features are the massive walls and the strong gateways. As usual the walls are built blocks of dressed stone without any cementing material. The method of construction is increasing. The gate-way  range from simple types, which serve as mere entrance, to strong and elaborate with guardrooms such as the massive Bhima's gate the southwest gate with the Hanuman Temple.

All the entrance and gateway were high enough to enable elephants to pass through and many of them had ornate embellishments. The gateways were planked by Shrines to the respective guardian deities and sometimes a figure of Bhima or Hanuman or a chieftain or a linga in relief carved their walls.

There are a group of temples in Hampi --- Achyutaraya Temple; Chandramauleshwara Temple.; Malyavanta Raghunathaswamy temple; Badavi Linga ; the largest Linga image in Hampi located next to the Lakshmi Narasimha statue ; Hazara Rama Temple Complex; Krishna Temple Complex ; Vitthal Swami Temple ; Virupaksha Temple; Prasanna Virupaksha Temple ; Yantrodharaka Anjaneya temple ( Anjaneya is Hanuman- son of Anjana)  .

'' If we stand on that rock ( The Hemakoot) and imagine all the great ruins of the city visible from thence, the palaces and temples, the statues and towers and walls, to be swept out of existence, we have around us nothing but Nature in one of her wildest moods , lofty hills near and far, formed almost entirely of huge tumbled boulders of granite, but with trees and grass on all the low ground. It was a lonely spot, separated by the river from the mere inhabited country on the farther side, where dwelt the chiefs of Anegundi, and was just such as would have been chosen for their abode by the ascetics of former days, who loved to dwell in solitude and isolation amid scenes of grandeur and beauty.’’ A Forgotten Empire (Vijaynagar).





  
                                                                         --------
Hampi is in Karnataka, India. Karnataka Government  hosts the Annual Vijayanagara Festival  or  the Hampi Utsava in the month of January. Dance, drama, music, processions and many other events take visitors to the forgotten days.
In the Vitthala temple, every January, Purandar festival is held to celebrate the birth anniversary of the poet Purandar.

***************************************
Source : A Forgotten Empire ( Vijaynagar) by Robert Sewell
Hampi , The endangered archaeological Heritage, A case Study by Mohammed Khalid and Shaheed Khan

Further sources of Vijayanagara history by K.A.Nilkanta Sastri
Department of Tourism - Karnataka Government